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Under the Sand

Under the Sand tells the story of a woman (Marie, a beautiful Charlotte Rampling) who with her husband to spend their vacation at sea, everything seems to run normally until the next day, whose husband disappears after have thrown in the water for a swim, from that moment Marie lives in a state of parallel reality, as if he put his head in the sand, as the title suggests del film, una realtà in cui è come se non fosse successo niente, semplicemente ha rimosso l'accaduto, ed è incapace di provare anche emozioni, sentimenti, vive in uno stato di apatia surreale, come se nulla in realtà fosse accaduto, una situazione piuttosto controversa e contorta che le impedisce di affrontare la realtà e di continuare a vivere, costruendosi una sua realtà alternativa, Ozon si sofferma spesso su Marie, e sulle persone che la conoscono, e le loro reazioni di fronte a quello che è successo, la vita scorre normalmente perchè lei ha deciso di rimuovere l'accaduto, ed è totalmente incapace di affrontarlo e di guardare se stessa e un nuovo amore che le si presenta, in un certo senso preferisce vivere NELLA HIS HEAD rather than face a new situation, even with the mother-in-law is unable to communicate, but when the police give her the news that he had found her husband, and she also previously recognized personal items after seeing the His body refuses to acknowledge her husband's death and make sure to continue with her life forever, in a sense, Marie is unable to continue living
fact, refuses to live without the presence of her husband, until it finally returns to the beach where the first bursts into tears, and that the final figure, anonymous figure in which the viewer will never understand if he has made peace herself or is unable to mourn indicates something missing, it will be the figure of her husband? (He sees her) in which he took refuge in refusing to go on living? Or is it finally ready to embark on its way? The finish is open, the viewer it is his interpretation and his opinion. Excellent.